Archive.

Exhibition Catalogues

Mary Rozell, “Silvia Bächli”, Peter Freeman, Inc., January 24 – March 22, 2008. (Editor and co-translator.)

———. “The Hand-Drawn Negative: Clichés-Verre by Corot, Daubigny, Delacroix, Millet and Rousseau”, Peter Freeman, Inc., 23 November 2007 – 19 January 2008. (Editor.)

Mary Rozell Hopkins, “Community – Society” (Esra Ersen, Istanbul; Bettina Allamoda, Berlin: Apolonija Šušteršič, Ljubljana), Weimar Cultural Capital of Europe, 1999

———. “Kopf an Kopf • Tête-à-Tête • Head to Head” (Amanda Dunsmore, Belfast; Stefan Höller, Düsseldorf; Åsa Elzén, Stockholm), ACC Galerie Weimar, 1998 ———.

“Making a Splash: The Video Art of Gillian Wearing, Pierrick Sorin, and Nedko Solokav”, “SPLASH!” ACC Galerie Weimar, 1997, 6-13 ———.

“Tout le mond invente son monde ideal” (13-22) and “Es Gibt Kein Wahre Welt”(23 – 33)”, “PIERRE ET GILLES”, ACC Galerie Weimar, 1996 ———.

“Bodo Korsig: Search and Destroy”, ACC Galerie Weimar, 1995

Journal Articles

Mary Rozell Hopkins, “Berlin: A Double Directorship, but Less Administration,” The Art Newspaper, 94, July-August 1999, 14

——–. “Berlin Restitution,” The Art Newspaper, 94, July-August 1999, 13

——–. “Degenerate Art Again?” The Art Newspaper, 94, July-August 1999, 22 (with Sarah Greenberg)

——–. “Twentieth-century German Auctions, Villa Grisebach: $10 Million Total the Best Since 1991,”The Art Newspaper, 94, July-August 1999, 63

——–. “Weimar City of Culture 1999: Reviving the Ghosts of Culture Past,” The Art Newspaper, 93, June 1999, 18

——–. “The Rise and Fall of Modern Art,” The Art Newspaper, 93, June 1999, 14

——–. “Rebecca Horn is Queen Bee of the Castle,” The Art Newspaper, 93, June 1999, 22

——–. “Transparent Democracy:  The Reichstag Berlin,” The Art Newspaper, 92, May 1999, 6

——–. “Poster Power,” The Art Newspaper, 91, April 1999, 17

——–. “Wild Woman:  Paula Moderson-Becker,” The Art Newspaper, 93, March 1999, 26

——–. “Kirchner Reconsidered,” The Art Newspaper, 90, March 1999, 26

——–.  “Collectors and Musuems: Paul Maenz – ‘It Felt Like Home’,” The Art Newspaper, 89, February 1999, 25 (Interview)

——–. “Gemeinschaft-Gesellschaft,” Weimar Kultur Journal, 8, 1998;  20- 21

——–. “Art Cologne: A Success Despite the Squabbles,” The Art Newspaper, 87, December 1998, 32

——–. “Berlin: The Potsdamer Platz is Reborn This Month,” The Art Newspaper, 85, October 1998, 4

——–. “Lyonel Feininger:  Back and Forth Across the Water,” The Art Newspaper, 84, June 1998, 34

——–. “Berlin recentre ses collections,” Le Journal des Arts, 64, Juillet 1998, 23

——–. “Berlin Fills Up an Art Gap in a Supermarket,” The Art Newspaper, 83, July – August 1998, 10

——–. “The State Paintings Collection at Berlin’s Kulturforum: Conceived 1962, Born June 1988,” The Art Newspaper, 82, June 1998, 15

——–. “Pipilotti Rist:  The Heroine of Her Own Life,” The Art Newspaper, 80, April 1998, 18

——–. “Two Millennia’s Worth of Art in Ten Years:  The Kulturstiftung der Länder,” The Art Newspaper, 79,  March 1998, 19

——–. “Goebbels’ Bunker Bars the Way,” The Art Newspaper, 79, March 1998, 10

——–. “Dresden:  Something Concrete,” The Art Newspaper, 79, March 1998, 10

——–. “Surrealism’s Missing Link,” The Art Newspaper, 78, February 1998, 22

——–. “Hugo Boss: Art as Element of Corporate Culture,” The Art Newspaper, 76, December 1997, 16

——–. “Jil Sander:  Designers work like artists,” The Art Newspaper, 76, December 1997, 16

——–. “Art Cologne:  A New and Improved Art Fair,” The Art Newspaper, 76, December 1997, 57

——–. “Holocaust Memorial Berlin:  Round Two,” The Art Newspaper, 75, November 1997, 17

——–. “Jewish Museum Berlin:  Still A Delicate Matter,” The Art Newspaper, 73, November 1997, 10

——–. “Centrestage Germany:  A Tale of Two Cities,” The Art Newspaper, 74, October 1997, 19

——–. “Art Cologne:  Watch on the Rhine,” The Art Newspaper, 74, October 1997, 20

——–. “Art Forum Berlin:  A Bridge Between East and West?” The Art Newspaper, 74, October 1997, 20

——–. “Profile:  Collectors Erika and Rolf Hoffman,” The Art Newspaper, 74, October 1997, 25

——–. “Berlin Dealers:  Not if – Just When,” The Art Newspaper, 74, October 1997, 20

——–. “Hotel Adlon Reborn,” The Art Newspaper 74, October 1997, 25

——–. “L’art contemporain en Allemagne:  mutation profonde ou simple querelle d’Allemands?” Le Journal des Arts, 46, Octobre 1997, 6

——–. “Un lifting pour la doyenne,” Le Journal des Arts, 46, Octobre 1997, 6

——–. “David contre Goliath:  Art Forum joue la qualité contre la quantité,” Le Journal des Arts, 46, Octobre 1997, 6

——–. “le Match Berlin-Cologne,” Le Journal des Arts, 46, Octobre 1997,  7

——–. “Christian Nagel:  on ne peut pas tout balayer d’un seul coup,” Le Journal des Arts, 46, Octobre 1997, 6

——–. “Creative Financing:  Who Makes Art Happen?” The Art Newspaper, 71, June 1997, 31

——–. “Galleries Mushroom in Berlin Mitte,” The Art Newspaper, 71, June 1997, 66

——–. “Agent Provocateur:  An Interview with Christos Joachimides,” The Art Newspaper, 70, May 1997, 16-7

——–. “Il Modernismo?  Inizia con la pittura e finisce con la parola,” Il Giornale Dell’Arte, 155, Maggio 1997, 14

——–. “Hamburg’s Galerie der Gegenwart:  How Long Does the Present Last?” The Art Newspaper, 68, March 1997, 7

——–. “Adolph Menzel Comes Home,” The Art Newspaper, 67, February 1997, 24

——–. “Weimar Bauhaus Collection Goes On Growing,” The Art Newspaper, 67, February 1997, 22

——–. “International Loans of Works of Art: Insuring Against Risk,” The Art Newspaper, Art Law Supplement, 66, Jan.1997, 24

——–. Saving Luther and Cranach’s Wittenberg,” The Art Newspaper, 66, January 1997, 28

——–. “Kulturfonds in Crisis,” The Art Newspaper, 66, January 1997, 12

——–. “Berlin:  A Succès d’Estime to Be Repeated Next Year,” The Art Newspaper, 65, December 1996, 43

——–. “Weimar contemporain:  rupture dans une ville conservatrice,” Le Journal des Arts, 27, Juillet- Août 1996,

——–. “Weimar Looks to the Future,” The Art Newspaper, 60, June 1996, 23

Translations

Numerous published translations from French and German on behalf of museums, galleries and artists including:

“Between Millet and Manet – The German Impressionist Max Liebermann, 1847-1935″, catalogue text for exhibition Max Liebermann, Cannes, France 1996.

“The George Ortiz Collection”, Berlin State Museums, 1997.

“On Kawara”, exhibition catalogue, Galerie Max Hetzler, Berlin, 1997.

“Christoph Rihs: Erde Gemessen Am Ohm“, Galerie am Fischmarkt Erfurt, 1998.

Exhibitions

“Skin Close” – Dimitrious Antonitsis (Greece), Monika Dutta (London), und Sophia Kosmaoglou (Greece), ACC Galerie Weimar, 2000 April 15 – June 4, 2000. (Co-curator)

“Community -Society” (Esra Ersen, Istanbul; Bettina Allamoda, Berlin: Apolonija Šušteršič, Ljubljana), ACC Galerie Weimar and Weimar Cultural Capital of Europe, Feb. 19 – April 4, 1999.

“mächtig-gewaltig: Video Art from Joël Bartoloméo, Cheryl Donegan, Johann Grimonprez, and Tony Oursler”, ACC Galerie Weimar, (co-curator) June 27 – August 16, 1998.

“Kopf an Kopf • Tête-à-Tête • Head to Head” (Amanda Dunsmore, Belfast; Stefan Höller, Düsseldorf; Åsa Elzén, Stockholm), ACC Galerie Weimar, Feb. 7 – March 22, 1998.

“SPLASH! – Video Art from Gillian Wearing, Pierrick Sorin, and Nedko Solokav”, ACC Galerie Weimar, June 29 -August 24, 1997. (co-curator)

“The Pedestrian Project” (Yvette Helin, New York), Exhibition and performances, ACC Galerie Weimar, December 7, 1996 – January 5, 1997.

“PIERRE ET GILLES” – Germany Retrospective, ACC Galerie Weimar, July 21-September 22, 1996.

“ALLE NEUNE! Selected Artist from Germany’s Nine Leading Young Galleries” (Rikrit Tiravanija, Tobias Rehberger, Tilo Schulz, Jorge Pardo, Carsten Nicolai Hans-Jorg Mayer, Anton Henning, Maria Eichhorn, Florian Merkel, Carsten Höller, Michel Majerus, and Olaf Nicolai), ACC Galerie Weimar, June 23 -July 14, 1996.

“Bodo Korsig: Search and Destroy”, ACC Galerie Weimar, Dec. 22.1995 – Feb. 11, 1996.

Public Lectures

Mary Rozell Hopkins, “American Graphic Art in the Twentieth Century,” 1997 Summer Arts Festival, Stadt Bad Kissingen, June 12, 1997 (representing the United States Consulate General)

——–.“Crossing Over, Changing Places: Contemporary American Graphic Art,” Municipal Museum of the City of Halle, April 22, 1997 (representing the United States Consulate General)

——–.“Francis Bacon,” German National Theater, Weimar, September 22, 1996 (upon invitation for dance premier of Ismael Ivo)